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disturbia (article)

Disturbia (film)

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Disturbia

Theatrical release poster
Directed by D. J. Caruso
Produced by Joe Medjuck
E. Bernett Walsh
Jackie Marcus
Screenplay by Christopher Landon
Carl Ellsworth
Story by Christopher Landon
Starring Shia LaBeouf
David Morse
Sarah Roemer
Carrie-Anne Moss
Music by Geoff Zanelli
Cinematography Rogier Stoffers
Editing by Jim Page
Studio DreamWorks Pictures
Cols Spring Pictures
The Montecito Picture Company
Distributed by Paramount Pictures
Release date(s) April 13, 2007
Running time 105 minutes
Country United States
Language English
Budget $20 million
Box office $117,760,134[1]
Disturbia is a 2007 American thriller slasher film that is partly inspired by Alfred Hitchcock's Rear Window,[2] directed by D. J. Caruso. It stars Shia LaBeouf, David Morse, Sarah Roemer and Carrie-Anne Moss. It was released on April 13, 2007.

Contents

Plot

A year after a car accident resulted in his father’s death, teenager Kale Brecht (Shia LaBeouf) assaults his teacher for making a remark about his dad and is sentenced to three months home confinement. He is secured with an ankle monitor and allowed only 100 feet from his house.
After Kale's mother, Julie (Carrie-Anne Moss), cuts him off from television, video games and music to keep costs down, Kale starts spying on his neighbors, including Robert Turner (David Morse) and the new neighbor, Ashley Carlson (Sarah Roemer). Kale and his best friend Ronnie (Aaron Yoo) begin to research Turner after Kale witnesses several strange occurrences at Turner's house and thinks Turner might be a serial killer. Ashley becomes aware of Kale's spying and confronts him, and decides to join the pair in investigating Turner. Later that night, Kale observes a date of Turner's in a panicked state. After Turner turns off the lights, Kale uses his binoculars to get a better view and accidentally turns on his video camera flash. When he pans back to Turner's house, Turner is in the window looking straight at Kale. After Kale hides, he witnesses Turner's date leaving and the next morning, Kale enters his kitchen to see his mom flirting with Turner. Before Turner leaves, he implies threats to Kale that go unnoticed by Julie.
After Kale attempts to ruin Ashley's party, she goes to confront him. While she's there, they watch Turner drag a heavy bag to his garage with what looks like blood on it. The following day, Kale talks Ronnie into breaking into Turner's car to get his garage door opener, while Ashley follows Turner to the store to let Kale know when he heads home. Ronnie manages to get the garage code but Ashley loses track of Turner until he suddenly appears in front of her car. He gets in her car and insinuates that she'll be harmed if she continues spying on him.
Later that night, Ronnie realizes that he left his phone in Turner's car and attempts to get it back. While in Turner’s garage with a video camera, Ronnie finds his phone when the garage door suddenly closes. Ronnie runs and hides in Turner's house and as Kale attempts to rescue him, his ankle monitor goes off. When the police arrive, Kale informs them that Ronnie is in danger. Hearing the police outside, Turner comes out and allows them to search his garage. Ronnie is nowhere to be found, when Kale suggests they look in the bloody bag. They open it to find a deer that Turner had hit with his car.
When Julie goes to Turner's to talk him into not pressing charges, Ronnie reveals himself to be alive and unharmed. Kale watches Ronnie's videotape and he sees what looks like a bag with a dead body inside hidden behind an air vent. While Julie is at Turner's, she turns her back and he knocks her out. Turner goes to Kale’s house and knocks out Ronnie and after a struggle with Kale, binds and gags him. As Turner reveals his plan to frame Kale, Kale attacks Turner with Ashley's help, and manages to subdue him. When Ashley frees Kale in his room, Turner breaks down the door, forcing Kale and Ashley to escape by jumping out a window into Ashley's pool.
Kale takes a pair of gardening shears and goes to search for his mother, while Ashley goes to warn the police. An officer alerted to Kale’s bracelet arrives and enters Turner’s house, only to have Turner break his neck. Kale falls through the floor in Turner's basement and lands in a pool of dead bodies in various states of decay. When he climbs out, he finds his mom when Turner appears and Julie stabs Turner in the leg, giving Kale time to kill Turner with the gardening shears. Kale and Julie exit the house as the police arrive. After Kale's ankle monitor is removed and he is released from house arrest for "good behavior", the police offer Kale and Julie to pay for the damages to their house. Kale and Ashley become a couple and Ronnie, sporting a large bruise, but is otherwise alive and well, videotapes them kissing.

Cast

  • Shia LaBeouf as Kale Brecht, 17-year-old high school junior and the main protagonist of the film
  • Sarah Roemer as Ashley Carlson, Kale's neighbor and love interest
  • Carrie-Anne Moss as Julie Brecht, Kale's mother
  • David Morse as Robert Turner, Kale's neighbor and the main antagonist of the film
  • Aaron Yoo as Ronnie Chu, Kale's best friend
  • Jose Pablo Cantillo as Officer Gutierrez, cousin of Señor Gutierrez
  • Matt Craven as Daniel Brecht, Kale's deceased father
  • Viola Davis as Detective Parker
  • Rene Rivera as Señor Gutierrez, Kale's Spanish teacher

Production

Development

The script was written in the 1990s and was optioned. The original studio let the option expire after hearing about Christopher Reeve's remake of Rear Window. It wasn't till 2004 that the script was rewritten and sold.
Executive Producer Steven Spielberg arranged for LaBeouf to be on the casting shortlist for this film because he was impressed by LaBeouf's work on Holes. Caruso auditioned over a hundred males for the role in five weeks before settling on LaBeouf as he was looking for someone "who guys would really like and respond to, because he wasn’t going to be such a pretty boy". LaBeouf was attracted to the role because of the director's 2002 film The Salton Sea, which he complimented as one of his favorite films. Before filming started, the two watched the thriller films Rear Window, Straw Dogs, and The Conversation starring Gene Hackman. They also viewed the 1989 romantic film Say Anything... and "mixed all the movies together."[3] LaBeouf says he spoke to people on house arrest and locked himself in a room with the bracelet to feel what the confinement of house arrest is like.[3] He commented in an interview, "...it's hard. I'm not going to say it's harder than jail, but it's tough. House arrest is hard because everything is available. [...] The temptation sucks. That's the torture of it."[3] Caruso gave him the freedom to improvise whenever necessary to make the dialogue appeal to the current generation.

Filming

Filmed on location in the cities of Whittier, California and Pasadena, California. Filming took place from January 6, 2006 to April 29, 2006. The homes of Kale and Mr. Turner, which were supposed to be across from each other, were actually located in two different cities.[4]
During filming, LaBeouf began a program that saw him gain twenty five pounds of muscle in preparation of his future films Transformers and Indiana Jones and the Kingdom of the Crystal Skull.[5]
According to LaBeouf, David Morse who plays Mr. Turner, did not speak to LaBeouf or any of the other teens while on set. LaBeouf said, "When we finished filming, he was very friendly. But he's a method actor, and as long as we were shooting, he wouldn't say a word to us."

Reception

Box office

Disturbia was released on April 13 in the United States and opened at #1 in its first week at the box office with $23 million.[6] Despite a 10 million decrease in its second week, it remained on top of the box office.[7] In its third week, it held on with $9.1 million.[8] In its fourth week, it earned $5.7 million and finished second behind the record-breaking Spider-Man 3.[9]

Critical response

The film received generally positive reviews with most praise going to LaBeouf's performance. Review aggregation website Rotten Tomatoes gives the film a score of 68% based on reviews from 165 critics, with the consensus that the film is "a tense, subtle thriller with a noteworthy performance from Shia LaBeouf".[10] On Metacritic, the film had an average score of 62%, based on 28 reviews.[11]
The film earned a "two thumbs up" rating from Richard Roeper and A.O. Scott (filling in for Roger Ebert), with Roeper saying, "This is a cool little thriller with big scares and fine performances."[12] Many criticized the change of atmosphere two-thirds of the way into the film, when the initial pacing and action morphs into that of a "run-of-the-mill slasher horror film".[13]
David Denby of The New Yorker judged the film "a travesty", adding: "The dopiness of it, however, may be an indication not so much of cinematic ineptitude as of the changes in a movie culture that was once devoted to adults and is now rather haplessly and redundantly devoted to kids."[14]
The film won 3 Teen Choice Awards including Choice Movie: Horror/Thriller, Choice Movie: Breakout Male (LaBeouf) and Choice Movie Actor: Horror/Thriller (LaBeouf) .

Lawsuit

The Sheldon Abend Revocable Trust filed a lawsuit against Steven Spielberg, DreamWorks, its parent company Viacom, and Universal Studios on September 5, 2008.[15][16] The suit alleged that Disturbia infringed on the rights to Cornell Woolrich's 1942 short story "It Had to Be Murder" (the basis for the classic Alfred Hitchcock film Rear Window), and that DreamWorks never bothered to obtain motion picture rights to the intellectual property and evaded compensating the rights holder for the alleged appropriation. (Ownership of the copyright in Woolrich's original story "It Had to Be Murder" and its use as the basis for the movie Rear Window was previously litigated before the United States Supreme Court in Stewart v. Abend, 495 U.S. 207 (1990).) Contrary to some media reports, it should be noted that the claim was based on the original Woolrich short story, not the movie Rear Window.
This claim was rejected by the U.S. District Court in Abend v. Spielberg, 748 F.Supp.2d 200 (S.D.N.Y. 2010), on the basis that the original Woolrich short story and Disturbia are only similar at a high level of generality and abstraction. "Their similarities derive entirely from unprotectible elements and the total look and feel of the works is so distinct that no reasonable trier of fact could find the works substantially similar within the meaning of copyright law."[17] Disturbia contained many subplots not in the original short story.[18][19]
After the dismissal of the copyright claim in federal court, the Abend Trust filed another lawsuit in California state court against Universal Studios and the Hitchcock Estate on October 28, 2010, for a breach of contract claim based on earlier agreements which allegedly restricted the use of ideas from the original Woolrich short story and the movie Rear Window whether or not the ideas are copyright protectable, that the defendants had entered into with the Abend Trust after the Supreme Court's Stewart v. Abend decision.[20][21]

Home media

The film was released on DVD and HD DVD on August 7, 2007 and on Blu-ray Disc on March 15, 2008. In the 'Making of Disturbia' section of the DVD's 'special feature's' section it is revealed that LaBeouf and Morse did not have much contact off-set, so as to make the fight scenes at the end of the movie as realistic as possible.

Music

Soundtrack

Disturbia: Original Motion Picture Soundtrack is a soundtrack to the film of the same name, composed by Geoff Zanelli and released on March 4, 2007 in the United States by Lakeshore Records.[22]

Score

Disturbia: Original Motion Picture Score is a score to the film of the same name. It is composed by Geoff Zanelli, conducted by Bruce Fowler and produced by Skip Williamson. It was released on July 10, 2007 in the United States by Lakeshore R

the wanted film (film)

Wanted (2008 film)

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Wanted
Movie poster with a woman on the left holding a large handgun as she faces right. Her left arm is covered in tattoos. A man on the right is facing forward and is holding two handguns, one hand held over the other. The top of the image includes the film's title, while the bottom shows an overhead view of a city's lights as well as the release date.
Theatrical poster
Directed by Timur Bekmambetov
Produced by Marc Platt
Jim Lemley
Jason Netter
Iain Smith
Jim Lemley
Screenplay by Chris Morgan
Michael Brandt
Derek Haas
Based on Wanted by
Mark Millar and J. G. Jones
Starring Angelina Jolie
Morgan Freeman
James McAvoy
Common
Thomas Kretschmann
Konstantin Khabensky
Music by Danny Elfman
Cinematography Mitchell Amundsen
Editing by David Brenner
Studio Spyglass Entertainment
Relativity Media
Top Cow Productions
Bazelevs Film Company
Distributed by Universal Pictures
Release date(s)
  • June 12, 2008 (London premiere)
  • June 27, 2008
Running time 110 minutes[1]
Country United States
Germany
Language English
Budget $75 million[2]
Box office $341,433,252[2]
Wanted is a 2008 German-American action film, very loosely based on the comic book miniseries of the same name by Mark Millar and J. G. Jones. The film is written by Chris Morgan, Michael Brandt, and Derek Haas, directed by Timur Bekmambetov, and stars James McAvoy, Angelina Jolie, Morgan Freeman, Thomas Kretschmann, Common, Terence Stamp, and Konstantin Khabensky. The storyline follows Wesley Gibson (McAvoy), a frustrated Account Manager who discovers that he is the son of a professional assassin and decides to join The Fraternity, a secret guild in which his father worked.
Production began in April 2007, with filming in the Czech Republic later to superimpose the sets on images of Chicago. Wanted was released on June 25, 2008 in the United Kingdom and two days later in the United States, to both critical and commercial success. It was nominated for two Academy Awards: Best Sound Editing and Best Sound Mixing.

Contents

Plot

In Chicago, Wesley Gibson is an American born in Moravia, who works at a dead-end desk job with an overbearing boss, takes anti-anxiety medication for panic attacks, and has a live-in girlfriend who cheats on him with his best friend Barry.
One night in the pharmacy, Wesley is told by a mysterious woman named Fox that his father was a recently murdered assassin, and the killer, Cross, is after him. Cross and Fox engage in a shoot-out followed by a car chase in the streets of Chicago. Wesley manages to escape and Fox has a shoot-out again with Cross, causing a car accident that knocks Wesley unconscious. Fox brings Wesley to the headquarters of The Fraternity, a thousand-year-old secret society of assassins. The group's current leader, Sloan, explains that Wesley's panic attacks are actually the untrained expression of a rare superhuman ability; when stressed, the drastically increased heart rate and adrenaline levels result in bursts of superhuman strength, speed, and reflexes – demonstrated when he successfully shoots the wings off of three flies. The Fraternity can teach him to control this ability, so Wesley can follow in his father's footsteps as an assassin, beginning by inheriting his fortune. Wesley is initially reluctant and returns to work, only to finally snap when discovering several million dollars in his bank account. He excoriates his boss in front of the entire office, and on his way out, smashes Barry in the face with a computer keyboard. Fox is waiting outside to take him back to the Fraternity headquarters — an unassuming textile mill.
Wesley is then subjected to brutal training; among other forms of combat, he learns to fire bullets to curve around objects (even using Fox as a subject in front of the target). Afterward, Wesley is shown the Loom of Fate, a loom that gives the names of the targets through binary code hidden in weaving errors of the fabric. Those the Loom identifies will apparently cause tragedy in the future; but only Sloan sees and interprets the names fate wishes to see dead. Wesley is initially reluctant about killing people. Then Fox reveals that in her childhood, a hired assassin burned her father alive in front of her—and said hitman was supposed to be killed by the Fraternity before that, but the assassin failed to pull the trigger. She now considers preventing such tragedy her mission and her loyalty to the Loom of Fate and The Fraternity.
After several routine missions and a chance meeting with Cross, in which Wesley is shot in the arm with a deliberately traceable bullet, Sloan grants Wesley's wish to avenge his father and sends him after Cross—but then secretly gives Fox a mission to kill Wesley, saying that his name had come up in the Loom as well. Analyzing the bullet that hit Wesley, it is discovered that the manufacturer was Pekwarsky, a bullet-maker living in eastern Moravia, the birthplace of the Fraternity. Wesley and Fox travel there and capture Pekwarsky, who arranges a meeting with Cross. Wesley faces Cross alone on a moving train. Fox steals a car and crashes it into the train, eventually causing a derailment. After Cross saves Wesley’s life by preventing him from falling into a ravine, Wesley fatally shoots him. Before dying, Cross reveals that he is Wesley's real father. Fox confirms this, and explains that Wesley was recruited because he was the only person that Cross would not kill. Fox then reveals the kill order on Wesley and raises her gun, but Wesley escapes by shooting out the glass underneath him and plunging into the river below with Cross's body.
Wesley is retrieved by Pekwarsky, who takes him to his father's apartment, located across the street from Wesley's old home. Pekwarsky explains that Sloan started manufacturing targets for profit after discovering that he was targeted by the Loom of Fate, and did not tell the Fraternity members that they were now nothing more than paid killers. The gang hang some of their friends in order to get to him. Cross discovered the truth and went rogue, and started killing Fraternity members to keep them away from his son. Pekwarsky departs, stating that Wesley's father wished him a life free of violence. Wesley, however, decides to take out Sloan after discovering a secret room containing all of his father's weapons and maps.
An enraged Wesley assaults the Fraternity's textile mill-fortress and battles his way through it, killing nearly every Fraternity member in the process. Upon entering Sloan's office, he reveals Sloan's deception to the master assassins present in the room. Sloan reveals that all of their names had come up in the weaving, and that he had merely acted to protect them. Were they to follow the code, every one of them should kill themselves on the spot. Fox, who believes in the code more than anyone due to her own experience, turns on her fellow assassins, and curves a bullet that kills every Fraternity member in the room, including herself, but not before she throws her gun to Wesley to distract him from trying to save her. During all this, the Loom of Fate is destroyed, and Sloan manages to escape.
Wesley, penniless once again, is left aimless. A man is then seen at a computer, much like Wesley at the beginning of the film. Sloan appears and points a gun at the back of the man's head. At that moment, the man turns around and is revealed to be a decoy. Sloan is then killed by Wesley using a long-distance bullet. Similar to the comic book miniseries,[3] the film ends with Wesley stating his accomplishments, then breaking the fourth wall by asking the audience "What the f*** have you done lately?".

Cast

  • James McAvoy as Wesley Allan Gibson, a meek 24-year-old who works in a cubicle, but learns he is heir to a legacy of assassins.
  • Morgan Freeman as Sloan, leader of the Fraternity, and assassin partner of Wesley Gibson's deceased "father".
  • Angelina Jolie as Fox, an accomplished member of the Fraternity who mentors Gibson.
  • Thomas Kretschmann as Cross, a rogue assassin who has left the Fraternity.
  • Common as Earl Malcolm Spellman a.k.a. "The Gunsmith", a professional gunman who trains others to use weapons.
  • Konstantin Khabensky as The Exterminator, an expert in explosives who makes bombs and attaches them to rats. One of Wesley's only friends in the Fraternity.
  • Marc Warren as The Repairman, an assassin who says he "breaks bad habits" by violently beating people. Trains Wesley in hand-to-hand combat and endurance.
  • Dato Bakhtadze as The Butcher, a master of knife work to the extent that he can block bullets. Trains Wesley in knife fighting.
  • Terence Stamp as Pekwarsky, a master in the science of killing. Pekwarsky operates as a rogue agent outside of The Fraternity. He is also a craftsman who is able to build bullets both untraceable and capable of traversing long distances. One of Cross's compatriots.
  • David O'Hara as Mr. X, said to be the greatest assassin, and believed to be Wesley's father. His murder is the catalyst for Wesley's introduction into the Fraternity. He is the first Fraternity member to die onscreen.
  • Chris Pratt as Barry, Gibson's co-worker and best friend, who is having an affair with Gibson's girlfriend. His saying "You're the man!" to Wesley becomes a running gag throughout the film.
  • Kristen Hager as Cathy, Gibson's unfaithful and bickering girlfriend.
  • Lorna Scott as Janice, Gibson's overbearing boss.

Production

Writing

The comic book miniseries Wanted by Mark Millar and J. G. Jones first attracted the attention of Universal Pictures executive Jeff Kirschenbaum, a comic book fan who sought a film adaptation that would be considered a "hard-R" and encouraged the studio to pick up the rights to the miniseries.[4] By 2004, producer Marc Platt set up development of the film adaptation. In December 2005, Russian-Kazakh director Timur Bekmambetov was attached to helm the project as his first English-language film, with the script being written by Derek Haas and Michael Brandt.[5] Millar did not like the first draft of the script. He explained:[6]
I wanted the film to basically be the opposite of the Spider-Man movie, the idea of someone getting powers and realizing they can do what they want, then choosing the dark path. The [script] I read was just too tame. It just seemed a little bit Americanized. But Timur came in with his Eastern European madness, and he really made it nasty. He went closer to the spirit of the book.
Director Timur Bekmambetov said that the film would keep the same characters from the miniseries (which ultimately, did not happen) though the director would take liberty in adapting the comic book's world.[7] In July 2006, screenwriter Chris Morgan was hired to revise the third act of the Wanted script written by Haas and Brandt.[8] Haas and Brandt returned to polish the character of Wesley Gibson, which they had established in their first draft.[9]
Wanted co-creator Mark Millar saw previsualized footage for the film and said the footage had raised his expectations for the film adaptation.[10] Millar described the first half of the film as being close to the graphic novel, and also said that the film's ending was similar, though it was relocated elsewhere from the setting in the graphic novel. The superhero costumes in the series were also removed, with the exception of the leather attire worn by Wesley Gibson and Fox. Coincidentally, this had been Millar's intent when writing the graphic novel, although he and artist J. G. Jones had forgotten to. "I wanted them to have those powers and then just wear those costumes for the initiation, but just for one panel. And then I forgot." he said. Millar also stated he would have liked to keep the supervillain mythos that dictates the original comic in the film.[6] Millar was favorable to most changes in the storyline,[11] including the story arc of the Fates issuing death orders in line with the series' original theme of predestination.[12] Angelina Jolie asked for Fox to get killed, considering that "If she was to find out she had killed people unjustly and was a part of something that wasn't fair, then she should take her own life."[13]

Casting

James McAvoy, who had screen-tested for the role early in 2006, was initially rejected because the studio was seeking an actor with conventional Hollywood leading-man looks and physique. McAvoy was later recalled, being considered the "runt of the litter" of those who tested. According to McAvoy, "They [ultimately] wanted someone geeky."[14] McAvoy was cast in the role in October 2006.[15] The Scottish actor, who portrays an American in the film, worked out to improve his physique for the film's action scenes,[16] and suffered several injuries during shooting, including a twisted ankle and an injured knee.[17]
Angelina Jolie was cast in March 2007 after screenwriter Dean Georgaris rewrote the screenplay to tailor the role for her.[18] Mark Millar became much more enthusiastic about the project after learning that Jolie had accepted the role of Fox, saying "the only way they could have got a bigger star to play this role is if they'd hired Tom Cruise in drag."[19] Jolie decided to make Fox seem "distant and unattainable" by having her silent in many scenes. She mentioned Clint Eastwood, who had recently directed her in the film Changeling, as a possible influence for this aspect of her performance.[20]
Common became interested in the role due to both the script and the prospect of working with actors McAvoy, Jolie, and Morgan Freeman.[21] Common learned a great deal about firearms as preparation for the role, but said he is not a strong supporter of guns in real life.[21][22] Konstantin Khabensky, who starred in Bekmambetov's Night Watch, was cast so the director would have a familiar face around.[23] British television veteran Marc Warren agreed to work in the film because he always wanted to be in a Hollywood blockbuster.[24] Thomas Kretschmann originally intended to pick up the comic series after being cast, but Bekmambetov convinced him not to. He practiced a lot of gun training to "look good and I look like I know what I’m doing".[25] Kristen Hager originally auditioned for Fox, but accepted the role of Cathy, considering it "fun to play".[26]

Filming

Location plate shooting took place in Chicago in April 2007.[27] Several chase scenes, including one with a low flying helicopter, were shot in Chicago over two days, on Wacker Drive along the Chicago River, between Columbus Drive and LaSalle Street.[28] The opening scene was filmed using the Carbide & Carbon Building.[29] Production moved to the Czech Republic later in May,[18] scheduled for 12 weeks of shooting.[30] Using a former sugar factory in Prague,[31] production designer John Myhre constructed a large textile factory as part of an industrial world, the setting of a mythological environment in which looms create fabrics that weavers interpret as assassination orders.[23] Afterward, filming moved to Budapest, then returned to Chicago in August.[27] The film originally had both an alternate opening and an alternate ending.[32] The alternate opening, a flashback to ancient times describing the history of the Fraternity and the Loom of Fate, is available on the special edition DVD and Blu-ray.[33]
Eight visual effects companies worked on the film, with the majority of work being done by Bekmambetov's company Bazelevs.[34] Cars of both Chicago 'L' and European Pendolino trains were built,[35] and were combined with computer-generated models of said trains in the action scenes.[34] Some of the action scenes had the actors practicing free running and parkour.[14]

Release

Wanted was initially set to be released in cinemas on March 28, 2008, but in December 2007, Universal announced it would be moving the release date later to June 27, 2008. Previews started in the UK on June 25.[36] It was also the opening night film for the Los Angeles Film Festival on June 19.[37] Wanted debuted in 3,185 theaters and earned $50,927,085 in its opening weekend, placing it at second place after WALL-E.[38] Internationally, the film grossed $33 million on its opening weekend, breaking records in Russia and South Korea.[39] Wanted grossed $341,433,252, of which $134,508,551 was from North America and $206,924,701 elsewhere.[2]
Given the Russian origin of the director, Universal released a specially localized version in Russia. The literary translation of the English dialog was written by the writer Sergey Lukyanenko. Several texts appearing on the screen and important for the plot were translated using CGI, without using subtitles or a voice-over translation. Several famous Russian actors, most of which were also in Bekmambetov's Night Watch and Day Watch, dubbed the main characters, and Konstantin Khabensky dubbed himself as the Exterminator. James McAvoy also provided some words in Russian for Wesley Gibson.[40] Danny Elfman's song "The Little Things" received a version in Russian, performed by Elfman himself,[32][40] and Bekmambetov also directed a music video for the band Delta as part of a viral marketing campaign in Russia.[41]
Wanted was released on DVD and Blu-ray on December 2, 2008 in the U.S. Two versions were released including a single disc DVD and a two-disc edition of both the DVD and Blu-ray. A collectible two-disc gift-set DVD also included a photobook of the Assassins, collectible postcards and a lenticular film cel in an acrylic frame.[42] The DVD debuted at second place on the charts (behind The Chronicles of Narnia: Prince Caspian),[43] and generated over $65 million in revenue by February 2009.[44] The Blu-ray debuted at first place on the charts.[43]

Reception

The film received generally positive reviews from critics. Review aggregator Rotten Tomatoes gives the film a score of 72% based on reviews from 193 critics, with a rating average of 6.5 out of 10. The site's general consensus is that "Wanted is a fast-paced, crackling thrill ride tailor-made for the Summer audience."[45] Metacritic, which assigns a normalized rating out of 0—100 reviews from film critics, has a rating score of 64 based on 38 reviews.[46]
Lisa Schwarzbaum of Entertainment Weekly encapsulated many critics' views, saying "Wanted is kind of unintelligible and idiotic. Also kind of nasty and brutish. And also undeniably kind of fun..."[47] Likewise, Tom Long of The Detroit News said, "Wanted may be the most absolutely stone bonkers, crazy-good movie of the century. Or it may be a gargantuan piece of trash. Chances are it's a combination of the two. But man, does it rock."[48] Claudia Puig of USA Today found the "thrilling stunts and hyperkinetic action scenes [to be] the undisputed stars of this surprisingly entertaining film."[49] Conversely, John Rosenblatt of The Austin Chronicle denounced those same attributes, saying, "If Maxim magazine ever decides to branch out into filmmaking, Wanted is just the kind of ear-throttling nonsense it's bound to produce,"[50] and David Fear of Time Out New York called it "the cinematic equivalent of an energy drink. The film keeps artificially pumping your adrenal glands with mindless, malnutritional sensations, only to leave you crampy and cranky minutes later. ...[T]his exercise in ultraviolence then insults us by having a beaten, bloodied McAvoy inform viewers that he used to be a loser 'just like all of you.'"[51] Frank Lovece of Film Journal International, one of few mainstream critics to have read the comic-book miniseries, said the film compared poorly with the source material. Noting that the hero in the comic goes even further, "breaking the fourth wall and positioning himself so that he's 'prison-raping' and taunting the reader for having liked the series," Lovece found that, "While Millar may have contempt for his readers—and, by extension, the medium in which he works—at least he has his own vision, and gets it across with style and wit" that the movie lacked.[52] Roger Ebert of Ebert & Roeper said "Wanted slams the pedal to the metal and never slows down. Here’s an action picture that’s exhausting in its relentless violence and its ingenuity in inventing new ways to attack, defend, ambush and annihilate,"[53] while Richard Roeper said, "It’s made for fans of films that really just want to see some great visuals, some amazing sequences and some terrific performances."[54]
In the comics press, Erik Amaya of Comic Book Resources said, "The film's biggest faults lie in how far it strays from the source," and that, "If you've ever seen any movie about leather-clad assassins, you already know how this film plays out. The speed and skill of the movie-making balance out those faults, however."[55] Tom McLean of Newsarama noted that while the story deviated strongly from the source, the movie "stands out as a highly entertaining action film that preserves the comic's core premise and cheeky attitude while taking the story into very different but still satisfying territory."[56]
Among European critics, Peter Bradshaw of The Guardian said, "It looks as if it has been written by a committee of 13-year-old boys for whom penetrative sex is still only a rumour, and the resulting movie plays like a party political broadcast on behalf of the misogynist party," concluding, "In an ideal world, the title would have the word 'Not' tacked on to the front."[57] Kim Newman, writing in Empire, praised Bekmambetov as "the most exciting action-oriented emigré since John Woo," and commented that the film's gruesome violence "hint[s] at the comic's uncomfortable suggestion that escapism is merely a licence to become monstrous."[58]
Wanted won the Empire Award for Best Sci-Fi / Superhero Movie of 2008.[59] The film was nominated for two Academy Awards, for Best Sound Editing and Best Sound Mixing (Chris Jenkins, Frank A. Montaño and Petr Forejt);[60][61] the Critics Choice Award for Best Action Movie,[62] the Saturn Award for Best Fantasy Film,[63] three MTV Movie Awards,[64] and the Screen Actors Guild Award for Outstanding Performance by a Stunt Ensemble.[65]

Merchandise

Soundtrack

The film score has been released on June 24, 2008 in the North America and Canada by Lakeshore Records.

Video game

A video game titled Wanted: Weapons of Fate was released on March 24, 2009 with mixed reviews. Developed by GRIN and published by Warner Bros. Interactive Entertainment released for Microsoft Windows, PlayStation 3 & Xbox 360, it is not an adaption of the movie, but a follow-up, with its plot beginning five hours after the film ended.[66]

Sequel

Even before the film's release, Mark Millar announced director Timur Bekmambetov was planning a sequel, though Millar denied that he would write a sequel to the comic book. He was instead creating a story along with the producers.[67] In November 2008, screenwriter Chris Morgan was penning a screenplay to follow the first film,[68] but due to "excessive workload", on April 2009 Morgan left the primary writing to Evan Spiliotopoulos.[69] Terence Stamp described Pekwarsky as "something that’s written for a sequel",[70] and Common expressed interest in a prequel, considering that both the Gunsmith and Fox deserved more exposition.[71] On June 2009, Bekmambetov said pre-production for Wanted 2 was about to get started, with filming scheduled to begin in late fall or winter. The film will have a reported budget of $150 million and be shot in the United States, India and Russia. He also added that some of the characters would resurrect, particularly Fox and The Exterminator.[72] At the San Diego Comic-Con during the same month, Mark Millar stated the script would follow the comic's idea of an international guild of assassins.[73] In February 2010 it was reported that Angelina Jolie had pulled out of the sequel.[74] Initial rumors stated this caused Universal to shut the project down, but the studio denied it.[75] Millar said the script will be rewritten to remove Fox's return, so production can start in 2010 for a late 2011 release.[76] In a 2011 Q&A producer Jim Lemley said that "Wanted 2 sounds like it will not happen any time soon if at all".[77] That same year, James McAvoy declared on the sequel that "I think the studio is keen to make it, and we really want to make it, but we want to make it if it’s right and when it’s right, and that might not be ever." McAvoy also expressed interest in a sequel focusing on another character other than Wesley.[78] In September 2011, Michael Brandt and Derek Haas, writers of Wanted, were signed to write the sequel. Haas commented "Wanted 2 is going to take off right after the events that just happened; it'll pick up Wesley a few years later and go back in for another round." He added the sequel will be "Fox-less and loom-less." [79] In October 2012 screenwriter Derek Haas confirmed he was working on a script and there would be a new female protagonist, he stated, "The only thing I can tell you is that Wesley is now, four years later, recruiting a young woman who is in his situation in the first movie. She's got a shitty life. He's sort of in the Fox role. This new girl is brought into the world."[80]

the wanted glad you came(lyric)

Glad You Came

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"Glad You Came"
Single by The Wanted
from the album Battleground and The Wanted (EP)
Released 10 July 2011
Format CD single, digital download
Recorded London, England
(Rokstone Studios)
Genre Dance-pop, Eurodance,[1] house
Length 3:18
Label Island, Global Talent
Writer(s) Steve Mac, Wayne Hector, Ed Drewett
Producer Steve Mac and Christopher Hines
The Wanted singles chronology
"Gold Forever"
(2011)
"Glad You Came"
(2011)
"Lightning"
(2011)
The Wanted US singles chronology
"All Time Low"
(2011)
"Glad You Came"
(2011)
"Chasing the Sun"
(2012)
Alternative cover
U.S. cover

"Glad You Came" is a song by British-Irish boy band The Wanted, taken as the second single from their second studio album, Battleground. It was released on 10 July 2011. The dance-pop song was written by Steve Mac, Wayne Hector and Ed Drewett, and was produced by Steve Mac and Russell Steedle. It debuted at number one in the United Kingdom and Ireland. In the United States, it was released on 18 October 2011 as the second single from the band's debut stateside release, The Wanted (EP). It peaked at number 3 on the Billboard Hot 100.

Contents

Background

The song was written and produced by Steve Mac.[2] It serves as the second single from The Wanted's second album, Battleground which was released on 7 November 2011.[3] Band member Tom Parker said of the song, "We all felt it was a new, refreshing sound and a perfect song for the summer which really gets you in the mood for a party."[4] The song premiered on the radio on 24 May 2011.[5] The song was also remixed by Alex Gaudino.[6] The American television series Glee covered the track in the episode "On My Way", which was aired during the third season.[7] It was performed at the Regionals competition between New Directions and the Dalton Academy Warblers.[7] Sebastian (Grant Gustin) leads the performance.[7]

Critical reception

The song have received mixed reviews from music critics .
"'Glad You Came'" has a soft, restrained initial flavour that eventually colours itself with some oddball synth. It becomes a bit more invigorating as it goes along, with a strong beat and various samples and effects interacting lightly and playfully with one another. The singing is kept drearily generic, as though totally unaware of the kooky accompaniments to which it’s being treated. It does work well enough however; it’s quite measured and well-balanced, with none of its individual elements overpowering the other and steady pacing throughout."
—Under the Gun's review of the song.[8]
Robert Copsey of Digital Spy gave the song four out of five stars writing, "'I decided you look well on me/ So let's go somewhere no-one else can see/ You and me,' they continue over a cantering beat and featherlight hook before launching into a carnival-inspired chorus fizzier than a frozen Daiquiri. 'My universe will never be the same/ I'm glad you came,' they croon on the outro. The result is their catchiest effort since 'All Time Low', though on repeated listens we're not buying this innocent act they're sporting one bit."[9] David Griffiths wrote for 4Music that the song is "definitely their most danceable effort to date."[10] About.com's Bill Lamb gave to the song 3.5 out of 5 stars, writing that the song has "genial vocals", a "pop-dance beat" and a "catchy synth hook", but he also noted that it has "frothy lyrics" and "little memorable weight to the song".[11] He praised Max's solo in the beginning and also praised "the keyboard hook that nearly steals the show from the group."[11] To conclude, he wrote that "Glad You Came" is a cheerful, uptempo tune that is easy to dance with, and it is little more than that.[11]
A review from "Trash Lounge" wrote that "its lyrics may not exude originality, but it has enough charisma and summer-friendly production to see it through."[12] A negative review came from "Unreality Shout" who wrote that it "showcases none of the previously heard pop excellence and instead we’ve been presented with another stale, indigestible chunk of boyband pop that’s been soaked in desperately saccharine niceness on the lyrical front."[13] The review also wrote that "it feels like The Wanted are fast moving away from their more charismatic roots (‘All Time Low’, or album track ‘Let’s Get Ugly’) and are instead peddling more disposable songs they’ve unwisely chosen as singles."[13]
Rolling Stone named "Glad You Came" the forty-fourth best song of 2012, citing the group's "push at the genre's PG-13 rating with a club-bumper that dares to raise the specter of under age inebriation."[14]

Chart performance

"Glad You Came" debuted at number one in Ireland, making it the band's first number-one single in the country.[15] The song has been at number one for five weeks. In the United Kingdom, the song debuted at number one with first-week sales of over 117,000 copies, becoming the band's second number-one single in the UK.[16] As of May 2012, it is their biggest-selling single to date with 540,126 copies sold in the UK.[17]
In Australia the song was certified Gold for shipping 35,000 copies.[18] In the United States, the song became their first to chart on the Billboard Hot 100, peaking at number three for four non-consecutive weeks after it was covered on the television series Glee, and becoming the highest American chart entry by a British boy band, surpassing Take That who peaked at number seven with "Back for Good" in November 1995.[19] The song has sold 3,388,000 copies in the United States in 2012.[20]

Music video

The music video was created by Director X and was filmed in Ibiza, Spain. It sees the band on the beach, in a club and at a houseparty each with an individual woman. It was uploaded to YouTube on 10 June 2011.[21] Jay revealed to MTV UK: "The theory of the video was take The Wanted to Ibiza and just film everything and then just cut bits that were useable. But the girls were models, they weren't just girls we picked." However Max admitted: "Actually no, the girl I had to spend time with was just literally picked up off the street after a night out."[22] The video has achieved over 63 million views on YouTube becoming their most watched video on the site. It also starred a cameo from footballer John-Joe O'Toole.

In popular culture

Track listing

  • UK digital single[23]
  1. "Glad You Came" (Karaoke Version) - 3:17
  1. "Glad You Came" – 3:17
  2. "Glad You Came" (Alex Gaudino Radio Edit) – 3:05
  3. "Glad You Came" (Alex Gaudino Club Mix) – 7:55
  4. "Iris" (Live Tour Performance) – 4:01
  1. "Glad You Came" – 3:17
  2. "Glad You Came" (Alex Gaudino Radio Edit) – 3:05
  3. "Gold Forever" (BBC Radio 1 Live Lounge Session) – 3:35
  • U.S. and Canada digital single[26][27]
  1. "Glad You Came" (Radio Edit) – 3:18
  • U.S. digital remix EP[28]
  1. "Glad You Came" (Mixin Marc & Tony Svedja Radio Mix) – 3:58
  2. "Glad You Came" (Mixin Marc & Tony Svedja Club Remix) – 5:52
  3. "Glad You Came" (Mixin Marc & Tony Svedja Dub) – 5:44
  4. "Glad You Came" (Bassjackers Remix Edit) – 3:40
  5. "Glad You Came" (Bassjackers Extended Club) – 5:04
  6. "Glad You Came" (Bassjackers Dub) – 5:52
  7. "Glad You Came" (Alex Gaudino Radio Full Vocal) – 3:05
  8. "Glad You Came" (Alex Gaudino Club Remix) – 7:54
  9. "Glad You Came" (Alex Gaudino Dub) – 7:51
  1. "Glad You Came" - 3:18
  2. "Glad You Came" (Mixin Marc & Tony Svedja Radio Mix) – 3:58
  • U.S. promotional CD single[29]
  1. "Glad You Came" (Radio Edit) – 3:18
  2. "Glad You Came" (Alex Gaudino Radio Full Vocal) – 3:05
  3. "Glad You Came" (Alex Gaudino Club Remix) – 7:54
  4. "Glad You Came" (Alex Gaudino Dub) – 7:51
  5. "Glad You Came" (Bassjackers Remix Edit) – 3:40
  6. "Glad You Came" (Bassjackers Extended Club) – 5:04
  7. "Glad You Came" (Bassjackers Dub) – 5:52
  8. "Glad You Came" (Mixin Marc & Tony Svedja Radio Mix) – 3:58
  9. "Glad You Came" (Mixin Marc & Tony Svedja Club Remix) – 5:52

Charts and certifications

Weekly charts

Chart (2011–12) Peak
position
Australia (ARIA)[30] 20
Austria (Ö3 Austria Top 40)[31] 68
Belgium (Ultratop 50 Flanders)[32] 12
Belgium (Ultratop 40 Wallonia)[33] 29
Brazil (Billboard Hot 100)[34] 8
Canada (Canadian Hot 100)[35] 2
Czech Republic (IFPI)[36] 7
Denmark (Tracklisten)[37] 29
France (SNEP)[38] 30
Honduras (Honduras Top 50)[39] 22
Hungary (Rádiós Top 40)[40] 4
Ireland (IRMA)[41] 1
Israel (Media Forest)[42] 2
Mexican Airplay Chart[43] 30
Netherlands (Dutch Top 40)[44] 12
New Zealand (RIANZ)[45] 13
Slovakia (IFPI)[46] 5
Spain (PROMUSICAE)[47] 34
Spain (Airplay Chart)[48] 10
UK Singles (Official Charts Company)[49] 1
US Billboard Hot 100[50] 3
US Pop Songs (Billboard)[51] 1
US Hot Dance Club Songs (Billboard)[52] 5
US Adult Pop Songs (Billboard)[53] 4
US Adult Contemporary (Billboard)[54] 17
Venezuela Pop/Rock General (Record Report)[55] 1

Certifications

Region Certification Sales/shipments
Australia (ARIA)[56] Platinum 70,000^
New Zealand (RIANZ)[57] Platinum 15,000*
United Kingdom (BPI)[58] Gold 400,000^
United States (RIAA)[59] 3× Platinum 3,388,000[20]
*sales figures based on certification alone
^shipments figures based on certification alone
xunspecified figures based on certification alone

Year-end charts

Chart (2011) Peak
position
Ireland (IRMA)[60] 18
UK Singles (The Official Charts Company)[61] 22
Chart (2012) Peak
position
Canada (Canadian Hot 100)[62] 5
Hungary (Rádiós Top 40)[63] 92
US Billboard Hot 100[64] 6
US Pop Songs[65] 3
US Adult Contemporary[66] 41
US Adult Pop Songs[67] 14

Radio date and release history

Region Date Format Label
United Kingdom[5] 24 May 2011 Mainstream radio airplay Global Talent Records, Universal Island Records
United Kingdom[24] 10 July 2011 Digital download
Ireland[68]
Spain[69]
Germany[70]
United Kingdom[25] 11 July 2011 CD single
Australia 12 August 2011[71] Digital download
United States 13 September 2011[72] Mainstream radio airplay Island Def Jam Recordings
18 October 2011[73] Digital download